Casa · C1 Advanced · Lesson 13 of 20 · Step 2

Literary Criticism

Foregrounding and Stylistic Devices

  • Identify and analyse literary stylistic devices including alliteration, metaphor, and irony
  • Understand how foregrounding creates emphasis and defamiliarisation in literature
  • Discuss literary texts using the language of critical analysis

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Grammar

Foregrounding and stylistic devices: analysis language

Foregrounding is achieved through deviation (breaking linguistic norms) or parallelism (creating unexpected patterns). Analysing stylistic devices requires specific critical language: 'The author employs metaphor to…', 'This instance of irony serves to highlight…', 'The alliterative pattern reinforces the sense of…', 'Through juxtaposition, the writer draws attention to…'. Understanding these devices and the language used to discuss them is essential at C1 level for literary and textual analysis.

The author employs an extended metaphor of imprisonment to convey the protagonist's emotional state.
The alliterative repetition of 'silence, stillness, and shadow' creates a palpable atmosphere of unease.
Through dramatic irony, the reader understands what the character does not — that the letter has already been sent.
The juxtaposition of the lavish interior with the desolate landscape outside serves to underscore the novel's critique of inequality.

Exercises · type, then check

1. Identify the stylistic device used in each example.

1.'Peter Piper picked a peck of pickled peppers.' This is an example of .
2.'The world is a stage, and we are merely players.' This is an example of .
3.A fire station burns down. This is an example of situational .
4.Placing a scene of extreme wealth immediately after a scene of poverty creates .
5.Orwell's 'Animal Farm' uses animals to represent political figures — this is an example of .

2. Choose the most appropriate analytical language to describe each literary feature.

1. How would you describe the author's use of recurring water imagery?
2. How would you describe the effect of placing 'war' and 'peace' side by side?
3. A character says 'What lovely weather' during a storm. How would you analyse this?
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Reading

Why Literature Surprises Us

The Russian formalist critic Viktor Shklovsky argued that the purpose of literature is to make the familiar strange — a concept he termed 'defamiliarisation'. Through foregrounding — the deliberate deviation from ordinary language — literary texts compel readers to see the world afresh. A poet who writes 'the sun bled across the horizon' employs metaphor to transform a commonplace sunset into something visceral and unsettling. An essayist who places a description of a child's birthday party beside an account of a famine uses juxtaposition to force a moral reckoning. Alliteration, often dismissed as mere decoration, can create patterns of sound that reinforce meaning: the sibilance of 'silence settled softly on the snow' enacts the very stillness it describes. Irony, perhaps the most complex of all stylistic devices, invites the reader to perceive a gap between surface meaning and underlying truth — a gap that can be comic, tragic, or both. What unites these devices is their capacity to disrupt automatic perception. In everyday communication, language is transparent — we look through it to the meaning. In literature, foregrounding makes language opaque, inviting us to look at it. This shift of attention is, for many critics, the defining characteristic of the literary experience.

1. What is 'defamiliarisation', and who coined the term?

2. How does the passage distinguish between the role of language in everyday communication and in literature?

Speaking · say it out loud, with a partner or alone

1Choose a short poem or passage you know and analyse the stylistic devices it uses. Present your analysis to your partner using the critical language practised in this unit.
2Discuss: 'Good writing should be clear, not clever. Stylistic devices are an obstacle to understanding.' Argue for or against this position.

Writing

Write a short critical analysis (6–8 sentences) of a literary text you have read, identifying and discussing at least three stylistic devices. Use appropriate analytical language throughout.

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